Showing posts with label Akhena. Show all posts
Showing posts with label Akhena. Show all posts

Friday, September 16, 2016

Kundalini And Out Of Body Experience

My first Out Of Body Experience (OBE) occurred when I was 21, lying in a George Washington University hospital bed after a appendicitis operation for which I was given a morphine injection. I wrote about it in my book, Deciphering the Golden Flower One Secret at a Time, from which, the following excerpt is taken — a visit to the hospital by my girlfriend at the time, Madeline:
JJ: “I was in this half-state between sleep and waking. A great glowing light filled the room. Suddenly, I was floating upward. When I reached the ceiling, I realized I could steer myself. I’m having trouble though. I command myself to roll over and I’m looking down at my physical body, asleep in the bed, and I realize that I’m in an altogether different body.”
Madeline: “So?”
JJ: “So I stayed up there watching my body asleep in the bed. I knew I could leave the room, but I didn’t know if I’d be able to get back. I knew I’d see amazing things, but I figured I had to return to my body, that I wasn’t ready to take off and leave it.”
Madeline: “Hummph.”
JJ: “Well, it opened my mind… Perhaps, I shouldn’t say ‘mind’ because the mind may not be part of it.”
OBE

Until my Kundalini awakening fourteen years later, I had no further OBEs. Since activating Kundalini, I've had numerous Astral Body experiences and am now able to put myself into the state at will. How is that possible? OBE can be learned. Yes, you can train yourself to leave your body at will. In my OBEs, I have experienced many of the abilities to:

  • Fly like a bird and even visit outer space,
  • Walk through solid objects like walls, ceilings etc,
  • Meet loved ones who have "passed on,"
  • Grow spiritually and gain awareness of your True self,
  • Visit the Akashic Records and see the past and the probable future,
  • Increase your psychic abilities,
  • No longer fear death,
  • Become a better problem-solver,
  • Become a better person in all areas of your life,
  • Engage with the pet (especially your cat) in an OBE,
  • Heal yourself physically and mentally.
Is an active kundalini necessary for OBE? It certainly doesn't hurt. Many kundalini adepts have shared most of, if not all of, these effects. But is it absolutely necessary? Aren’t the effects of an OBE a subset of Kundalini effects? Given the large number of OBE accounts over the centuries, I think they are. People have been experiencing OBEs without ever knowing about, or even having heard, the term Kundalini. In its own right — Kundalini is perhaps more difficult to activate, especially on a permanent basis.

Again, I experienced the Out-of-Body state spontaneously, and also as a result of kundalini. Perhaps, my first experience acted as a "warm-up" — a signal that this faculty would lie dormant until my meta-body was sufficiently reprogrammed, in my case, by kundalini, a condition that would eventually enable me to summon my Astral Body at will.

Only recently with the explosion of self-realization studies has a critical mass of interest in both OBE and Kundalini appeared, which has led to OBE self-learning materials.

Should you become interested and wish to explore OBE, one critical point to remember is: You retain conscious control over all your impulses. Just like my experience in the George Washington Hospital when I decided to pull back, you can exert the same kind of control. In other words, you can move forward incrementally, only undertaking OBE as you are able to master your emotions: fear, anxiety, etc.

I meet and talk with many people about meditation, NDE, OBE, mindfulness, enlightenment, and kundalini. It's easy to distinguish a genuine seeker from boastful pretender. Detached, yet present, emotionally composed, the seeker acts as a receiver and transmitter of metaphysical actuality, proving their capabilities over many years. 

Since awakening my Kundalini 40 years ago, I have mastered the techniques and highly endorse OBE as a means of spiritual development. Once you master it, there's no limit to the insights into the cycle of life and death that an OBE bestows on you, the traveler.

Saturday, November 7, 2015

More About Death

"One other liberating experience related to OBE is that in fraternizing with death I discovered that it is only another aspect of life, another state of existence. For each one of us, death awaits, and this fact is an incitement to ask profound questions, relating to the unknown — paradise, hell, separation, or extinction. How can we find answers? OBE gives us answers through direct experience since I can enter and leave my own body, I can exist without my body. The death of my physical body therefore does not signify my end. I am able to think, feel, desire and act in other contexts than that of the physical world."
~ Akhena - Astral Consciousness: Out of Body Explorations

I second the emotion. Not only did I experience the same ah-ha realization apropos of death during an OBE (Out of Body Experience) at the age of 20, I encountered the same extra-corporal effect 15 years later after raising Kundalini. I was able to see inside my physical body, which led me to realize my being was more than my body — a series of ethereal body sheaths enveloped it.

These ethereal bodies are part of an invisible Energy Continuum (consciousness), which contains the past, present, and future of time and space, of which our biological form is only a limited expression.

At this point in the history of our science, we do not understand how the consciousness we deem a part of everyday life works, much less are we able to scientifically verify its metaphysical totality. But thanks to OBE, NDE, and kundalini, we can experience it. Verify it, no; experience it, yes.

In our present state, we talk of "losing and regaining consciousness" after getting knocked on the head or going into the operating room for a medical procedure. Mostly, we don't look beyond a very limited sense of consciousness. That is, up till now.

Meditation, yoga, mindfulness are changing this. As we pursue these various pastimes, disciplines, and practices and connect to a vaster sense of consciousness, we realize that death, like life, is a transitory state, and we are less afraid.

In 1947, when the poet, Dylan Thomas, wrote:

"Do not go gentle into that good night.
Rage, rage against the dying of the light."

Didn't he realize that that the light doesn't die? The clear light that shines at the moment of death is a beacon leading you toward the Energy Continuum, the entry into a recycling process and your next incarnation.

Was it this light that beckoned John Coltrane to knowingly record a tune entitled To Be just days before his death? What a querulous, introspective title for the usually high-octane saxophonist! A mournful tempo, featuring unusual instrumentation — Coltrane on flute (an instrument he only played once) and Pharaoh Sanders on piccolo, not sure he ever played it again — th tune was mostly ignored by Coltrane fans, who were more engaged by his fascination with the innovative and frenzied Free Jazz trend at that time.

 
Relaxin between takes
John and Alice Coltrane

To Be is a long, slow piece that, for me, signifies the passing of the torch or the changing of the guard, a realization by the composer (Coltrane) that to be has metaphysical overtones — we come and go, pass and re-pass on this earth.

The head, featuring the flute and piccolo, is followed by a long Alice Coltrane piano solo; a Sanders, then a Coltrane solo. As Coltrane's line trails out — sort of expires — Sanders injects a lilting, melancholy phrase that reminds me of a warbling bird and has me visualizing the following scene in my mind's eye.



Pharaoh Sanders, tenor & piccolo; John Coltrane, tenor & flute; Alice Coltrane, piano & harp; Jimmy Garrison, bass; Rashied Ali, drums. Personnel for the album, Expression
Pharaoh Sanders, John Coltrane, Alice Coltrane, Jimmy Garrison, Rashied Ali

I see a man sitting in a wooden garden chair, holding a cold drink on the armrest. The camera explores his face and his surroundings. The flowers, trees. His shoes. The back of his head and neck. Over his shoulder, the armrest and the drink. The arm goes limp, the drink topples over, and his arm drops. We hear a bird, the camera finds it and we listen. Cut to the dead man's face.

From this vision, while re-listening to this tune (To Be, the bird in the above scene), I imagine the death process and know that although the body dies, the essence that animates the body does not.